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Hyon Gyon
Hyon Gyon (born Hyun Kyoung Park,〔Shin
Gallery. ("Hyon Gyon Park" ). Shin Gallery, New York, 2013. Retrieved January 23, 2014〕 June 16, 1979), is a painter who received her doctorate from the Kyoto City University of Arts. She is best known for her use of traditional Korean shamanistic imagery in her large-scale paintings.〔Francesca Gavin. "'Despite moments of clarity, there is no 'ism' in this book". Laurence King Pub. 2011. p. 98 - 99. ISBN 978-1-85669-734-7〕 Before she earned her masters and doctorate, Hyon Gyon earned her BFA from Mokwon University in Daejeon, South Korea. She now resides in New York.〔Allison Harding, Mami Kataoka. "Phantoms of Asia, Contemporary Awakens the Past." San Francisco. Asian Art Museum of San Francisco. 2012. p. 190–191. ISBN 978-0-939117-59-8〕
== Early life ==
Hyon Gyon〔("Hyon Gyon" ). artnet. 2013. March 9, 2014〕 became involved in the world of fine arts late in life. Post-graduation, the artist moved to Japan, where she enrolled in the Kyoto City University of Arts. Gyon noted in an interview with Kyoto Art Box, "While in university, I got more interested in creating art works." In an interview with ''Guernica Magazine'', the artist described her early relationship with colorful, shiny fabrics. As a child, she drew on them and burned holes in them with a lighter. Hyon Gyon's fascination with melting textiles was later reflected in the sculptural elements of her painted works, which collage textiles like satin and sateen that are melded with an iron.
Hyon Gyon's work engaging with shamanistic ideas and imagery began after her grandmother’s death. A family member called a shaman to perform a ''gut'' ritual at their home to exorcise the remnants of her grandmother’s life and recent funeral. In an interview, Gyon described her interest in purification, as well as the manifestation of negative emotions such as sadness, grief, and agony after the event, saying, "What I experienced was the process of purification of the negative emotions that accompany human tragedies, a topic I had been consistently interested in. The ritual was an endless cycle of creation and extinction in which everything—sadness, joy, anger, attachment, love, hatred, obsession with life, fear of death, desire, pain—was swallowed up. The experience had a profound effect on me as both an individual and an artist. I felt that I had at last found my subject matter."〔
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